It takes as its starting point the landmark 1992 High Court ruling in favour of Torres Strait Islander land-rights activist Edward Koiki Mabo. The ruling overturned terra nullius (meaning ‘land belonging to no-one’), the doctrine on which the British justified colonising the land now known as Australia.
The exhibition explores how artists have acknowledged the continuing relationship Aboriginal and Torres Strait Islander peoples have with their lands, as well as the ongoing impact of colonisation and the complexities of representation in Australian society today.
The exhibition will feature many works of art jointly acquired by Tate and the MCA in Sydney through an innovative partnership established in 2015 via a gift from the Qantas Foundation. These include works which interrogate post-colonial histories, narrate political tensions, and illustrate how the oldest continuous living cultures in the world, reaching back 65,000 years, assert connection to country in contemporary art today.
-A YEAR IN ART: AUSTRALIA 1992
Captain james cook did not find Autralia. Australia happened to be in his path and accidental event was the begining of the massacres by invaders, slavery and spreading of diseases among the native Australians.
THE Catholic Church in Australia in 1996 has apologised for its part in an assimilation policy aimed at breaking the spiritual and cultural identity of Aborigines, by removing tens of thousands of black children from their parents.
Pope John Paul II offered Australia's Aboriginal and other indigenous peoples of Oceania an apology for past "shameful injustices" of the Roman Catholic Church in 2001.
On 13 February 2008 Prime Minister Kevin Rudd made a formal apology to Aboriginal and Torres Strait Islander peoples, particularly to the Stolen Generations whose lives had been blighted by past government policies of forced child removal and assimilation.
Photos by Ajith Dharmakeerthi
